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Diāna Zandberga - klavieres

Ieraksts

2020-2021

Izdošanas datums

18.06.2021

Skaņdarbi

Apraksts

LMIC 122

Šī gada jubilāra Imanta Zemzara aizraujošā, intonatīvi daudznozīmīgā klaviermūzika, kuras plašais tēlainības loks aptver gan dvēseliski trauslu liriku, gan kvēlu dramatismu, gan drūmi traģiskas nokrāsas dzīves jēgas un patiesības meklējumos, spēj uzrunāt plašu auditoriju. Liela daļa no gandrīz pusgadsimta laikā tapušajiem klavierdarbiem pagaidām ir pieejami tikai rokrakstos un ieskaņoti šajā albuma pirmo reizi. 

Albumu ieskaņojusi pianiste Diāna Zandberga, kura mācījusies Jāzepa Vītola Latvijas Mūzikas akadēmijā (JVLMA) pie profesora Jura Kalnciema, papildinājusies Eiropas Mūzikas akadēmijā Milānā pie leģendārā pianista Lazara Bermana un Granadosa-Maršala akadēmijā Barselonā pie pasaulslavenās pianistes Alisijas de Laročas. Studējusi arī JVLMA doktorantūrā pie profesoriem Jeļenas Ļebedevas un Sergeja Osokina, 2014. gadā iegūstot mākslas zinātņu doktora grādu.

Kritika

IMANTS ZEMZARIS cut his musical teeth inside the Soviet avant garde and, in a similar way to English experimentalist Cornelius Cardew, rejected “high modernity” and tried to find a simpler way of being musical.

As the composer reaches his 70th birthday this dedicated album, featuring works for piano, includes his second piano sonata. Placed alongside the numerous preludes and interludes, it shows how the crystal-clear music is masterfully adapted for any theme or idea, be it late summers, Shakespearean sonnets or a bright early morning.

Zemzaris has had a personal fascination for me for a long time and this, a treat of a new release, could interest those eager to broaden their pool of composers. He is well worth investigating and the particularly skilful playing of Diana Zandberga makes this album especially worth adding to any collection.

★★★★

Ben Lunn, "Morning Star"

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This collection of piano music by the contemporary Latvian composer Imants Zemzaris’s also comes with official approval, pianist Diāna Zandberga having known Zemzaris since the mid 1990s. If you’re not won over by the album’s opener, the disarmingly beautiful “Early in the Morning” from 1975, you’ve no soul. The Prelude and Fugue on a Theme of William Shakespeare’s Sonnets is similarly appealing, its simple theme repeated and transformed into a fugue subject in a little over five minutes. More verse underlies Motives of Rainis Poetry, four miniatures taking inspiration from love poetry by the Latvian writer Rainis. Five Preludes of Indian Summer sound in places like Bartok folk transcriptions, Zandberga’s wordless vocalise in the final number perfectly realised.

Zemzaris’s compact Piano Sonata No. 2 has an engaging, propulsive first movement, the energy dissipating completely by the time we get to the funereal finale. And the title track, Eine andere Wanderer-Fantasie, quotes from a Beethoven song and a Brazilian jazz standard, the two worlds never quite reaching an accord. An understated delight, well annotated and beautifully performed.

Graham Rickson
www.theartsdesk.com
review link HERE